Akira


Notturno - B. Bartók
Gnossienne Troisième - E. Satie
Aphorisming, second - V. Carté
Rythme Bulgare - B. Bartók
Aposiopesis - V. Carté
Gymnopedie No.1 - E. Satie
Gymnopedie No.2 - E. Satie
Gymnopedie No.3 - E. Satie
M2s Broken & Together - B. Bartók
Cinquième Gnossienne - E. Satie
Première Gnossienne - E. Satie
Aphorisming, first - V. Carté
Notturno (loverly remix) - B. Bartók
Berceuse - E. Satie
Buciumeana - B. Bartók
Quatrième Gnossienne - E. Satie
Aphorisming, third - V. Carté
Impromptu in second person - V. Carté
m2s M7s (fragmented) - B. Bartók
Pe loc - B. Bartók
Saraband No.2 - E. Satie

1526 SKELTON Magnyf. 1664 Yf it lyke you that I myght rowne in your eyre.

"I was struck immediately with the essence of the piano pieces,
as if Akira's treatments had focused rather than distorting,
had distilled rather than fermenting, the vitality between the notes."
   - Joshua Maremont

Resultatet, skivan "Eisoptrophobia"
som släpptes på Ritornell tidigt i somras,
är i princip en skiva med välkända pianokompositioner,
digitalt efterbehandlade till mystiska väsanden.
   

ekkehard ehlers remix






Thanksbetogiving

Dear Eisoptrophobia,
kissing clenched hands...

...fluttering and
whispering ever dreams,
a little gilt smiling
and nodding
nearly twelve years
of another bed.

This is nothing
flooded with delight
and amazement,

the solemn minuet too,
performed by the hand.

slowly down she walked,
madly through the open
window notorious,

sunning herself
on the shrill laughter
of Violets... and,
his hand upon his heart.

back you go, into your soul
that would only recompense
care by forming the source
of little skeletons.

Witness trembles
streaked with chill
touches certain,
and little curtains
of gauze in silence
caught sight,
guessed where should
you imagine not to speak,
under glass surrounded
lost in admiration
of light scattered,
in its own face laughed
back at it.

a portrait led
into mirrors, their hearts,
the quick magic of their letters
gives hands traverse,

memories left in mirrors,
ceilings wing into
the velvety soul,
but also the animal itself,

they were not among
the twined skeletons
filled with shadows
for the sun does not
dissolve

and yet sight
reaches the mirror.

it is not any correspondence
between figures from
the purpose of playing,
whose end, abruptly as if it
is of delight.

  - Akira Rabelais


we quarreled and makes this the virtue, of which to see is true beauties swallow infinite multitude, laughed and of destruction, in fresh colour of worse than there are painless, weaving wreaths of the table, what I put heart swelled portentous bridge, across the air and emptiness over eyes, whose company of windmills, the bird skulls and poured out, experiencing the hour of stars and thinking without haste, water, stones, plants altogether, that I should choose rather through strange words of learning and lies ascribed gone to be let to save stayed, so you become of bread and abundance of axiomatic truth, personal presence of metaphor, whether there is essence and believe that kept treasure on of exciting in ecstasies more astonished, bodies of all with and here, here further, here whirlwinds, everything carefully preserved until the end, against the same infinite abyss and before the effect of a wearied corruption, our broken staircases toward noises, least part of objects inside the ear has no other sound, bruise up a question, for the hour is time itself above the humming in your own one of the corpse already crossing a wood, branches pattern in seconds stumbling through sitting quietly, truth of this will never cease to call the eye, restlessness of knowledge here to penalty of human being, thickest darkness now light signified, opaqueness of persuasion all of rising perpendicularly placed beyond and unweariedly, in the most eagerly to wield the corpse, these steps tracing back to trudged, going up to discern, given and pronounced, erudition on sighs, stories-unbecoming to steep hill become disarranged hair and fatal throne, I suppose you as subjected to the clear deep, wing no more near the same there saying with human voice that a place where for some nameless stone, a name, here are angels of me.